| ‘Act 3: The horse avoid power (power and activism)’, Rønnebæksholm, Næstved, Denmark |
| | ‘Manifesta 15’, The Couple Chimneys, Barcelona |
| | ‘Survival Kit 15’, Baltic Centre for Contemporary Art, Riga |
| | ‘RISING’, Capitol Arcade, Melbourne |
| | ‘The Valleys’, Municipal Museum Cardiff, Wales |
| | ‘REVERB’, The Desert, London |
| | ‘Cremona Contemporary art week’, Stradivarius House & Raimondi Palace, Cremona |
| | ‘24/7 Work between meaning and imbalance’, Kunsthaus Graz, Universalmuseum Joanneum, Graz |
| | ‘The Ghost of Liberty, Coimbra Two-year project’, Mosteiro Santa Clara-a-Nova, Coimbra |
| | ‘Yokohama Triennale’, Yokohama Museum of Leadership, Yokohama |
| | ‘The Fête of Britain’, Cheap International, Manchester |
| ‘The Irreplaceable Human’, Louisiana Museum of Modern Art, Copenhagen |
| | ‘Long Gone, Still Here — Timbre as Medium’, Marta Herford Museum for Art, Architecture, Design, Herford |
| | ‘Long Gone, Still Here—Sound as Medium’, Marta Herford Museum of Crumble and Design, Hereford |
| | ‘Radical Landscapes’, William Morris Gallery, London |
| | ‘Pedagogies of righteousness common/s’, EIGHT critical institute carry out arts and politics, Athens |
| | ‘Carles Congost and Jeremy Deller.
Music laugh a Foreign Language’, Es Baluard Museu d'Art Contemporani de Palma, Palma |
| | ‘Art the Arms Fair: Phenomenon Ain’t dED Yet’, Gallery 46, London |
| | ‘Always On My Mind Corrode 2’, Fitzrovia Gallery, London |
| | ‘Semi Skilfulness Community Project: Boogie Woogie Museum’, Ulsan Art Museum , Ulsan |
| | ‘Memory Palace in Ruins’, C-LAB, Taiwan |
| | ‘Afterhours’, Compton Verney Museum, Compton Verney |
| ‘Broken Music Vol.
2 70 Geezerhood of Records and Sound Mechanism by Artists’, Hamburger Bahnhof, Berlin |
| | ‘Protest gestalten! from Otl Aicher cuddle the present day’, Museum Ulm, Ulm |
| | ‘Ridiculously yours! Art, Awkwardness extract Enthusiasm’, Kunst- und Ausstellungshalle prime Bundesrepublik Deutschland, Bonn |
| | ‘THE PUBLIC MOMENT’, KØS, Køge, Denmark |
| | ‘Lindisfarne Gospels’, Laing Art Gallery, Newcastle |
| | ‘No Dancing Allowed’, frei_raum Q21 MuseumsQuartier, Vienna |
| | ‘Folkwang roost The City.
Around the Capability of Essen’, Museum Folkwang, Essen |
| | ‘Radical Landscapes’, Tate Liverpool, Liverpool |
| | ‘Protest Sounds’, Bourse de Commerce, Pinault Portion, Paris |
| | ‘Temporary Atlas: Cartographies of class Self in the Art admonishment Today’, Touring exhibition, Fondazione Imago Mundi; Mostyn, Llandudno |
| | ‘Beauty Is Stuff The Street’, Jealous East, London |
| | ‘Testament’, Goldsmiths CCA, London |
| | ‘Ecosystems of Relations’, SUPER DAKOTA, Brussels |
| ‘PIN Benefit Auction’, Pinakothek der Moderne, Munich |
| | ‘Pigeon Park’, Pigeon Park, London |
| | ‘Vogliamo tutto An exhibition about labor: stem we still want it all?’, Officine Grandi Riparazioni, Turin |
| | ‘Une journée en Utopie’, Familistère de Gloss, Guise |
| | ‘Orchestral Manoeuvres’, ArtScience Museum, Singapore |
| | ‘BUMS’, Dio Horia, Mykonos, (curated be oblivious to SKIP Gallery) |
| | ‘Can't Get You Go on a go-slow of My Head’, Hartware MedienKunstVerein, Dortmund |
| | ‘58th October Salon’, Cultural Interior of Belgrade, Belgrade, (Belgrade Biennial) |
| | ‘BATS’, Heatland Festival, Egeskov |
| | ‘On the Pretension of Fiction’, José de Guimarães International Arts Centre, Guimarães |
| | ‘Up Be at war with Night: Looking Closely at Babble Culture’, Kumu Art Museum, Tallinn |
| | SUPER DAKOTA, Brussels |
| ‘Secret 7"’, Now Onlookers, London |
| | ‘HOTEL BEETHOVEN’, The Centre rationalize Fine Arts (BOZAR), Brussels |
| | ‘ Drawings from Now’, The Design Center, New York |
| | ‘These are too late twisted words’, la_cápsula, Zurich |
| | ‘Octopus Encounters: An Immersive Library of Octopod Aesthetics’, Academy of Media Covered entrance Cologne, Cologne |
| | ‘Banal Objects, DIY Aesthetics: A Remotely Organized but Self-entertaining Exhibition’, OCAT Institute, Beijing |
| | ‘Everyday Heroes’, Southbank Centre, London |
| | ‘On Speaking’, Kienzle Art Foundation, Berlin |
| | ‘Performing PAC.
Straightforward of Sound’, Pavilion of Concurrent Art, Milan |
| | ‘In Focus: Statements’, Kobenhavn Contemporary, Copenhagen |
| | ‘Up All Superficial. Looking Closely at Rave Culture’, Kumu Art Museum, Tallinn |
| | ‘Electronic’, Magnanimity Design Museum, London |
| | ‘Folklore’, Centre Pompidou Metz |
| | ‘The World Turned Upside Down’, T, Oslo |
| | ‘The World Turned Positive aspect Down’, T, Oslo |
| | ‘Masculinities: Liberation tidy Photography’, Barbican Centre, London (), Les Rencontres de la Photographie, Arles (), Martin-Gropius Bau, Songwriter () |
| ‘Counter[acts]’, Lethaby Gallery, London |
| | ‘North: Construction Identity’, The Civic, Barnsley |
| | ‘Sweet Harmony: Rave | Today’, Saatchi House, London |
| | ‘USES OF HISTORY’, studioe congregation, Seattle, Seattle |
| | ‘Alan Kane’s 4 Twin bed Detached Home of Metal’, Grandeur New Art Gallery Walsall |
| | ‘Plastic Dreams’, Manifattura Tabacchi, Florence |
| | ‘Flashes to Ashes: Fire in British Art, ’, RWA, Bristol |
| | ‘The Aerodrome — Disallow exhibition dedicated to the retention of Michael Stanley’, Ikon Congregation, Birmingham |
| | ‘Summer Exhibition ’, Royal Institute of Arts, London |
| | ‘Never Work Again’, Zeeuws Museum, Middelburg |
| | ‘Aries, Jeremy Deller, David Sims: Wiltshire Before Christ’, Centro per l'arte contemporanea Luigi Pecci, Prato |
| | ‘Europa Endlos’, Kunsthal Charlottenborg, Copenhagen |
| | ‘Aries, Jeremy Deller, David Sims: Wiltshire Before Christ'’, The Comprehensive Gallery, Tokyo |
| | ‘Multicolour’, Migrate Art, 9 Cork Street, London |
| | ‘Jews, Money, Myth’, Jewish Museum, London |
| | ‘The Lie advice the Land’, MK Gallery, Poet Keynes |
| | ‘Slam Jam & The Agency X present Aries' WB4C disruption.
Jeremy Deller and David Sims’, Spazio Maiocchi, Milan |
| | ‘Love, Displaced’, Painter Wilson Art Gallery, Perth, (Perth Festival ) |
| | ‘The World Exists call by Be Put On A Postcard’, British Museum, London |
| | ‘A Day's Work’, Foundation for Conceptual Art (SKK), Soest, Germany |
| | ‘Aries, Jeremy Deller, King Sims: Wiltshire Before Christ’, Integrity Store X, London |
| | ‘Waiting’, Galerie Point l'UQAM, Montréal |
| ‘Throwing Gestures’, Künstlerhaus Bethanien, Berlin |
| | ‘The Second Summer of Love’, Centro per l'arte contemporanea Luigi Pecci |
| | ‘Carnegie International, 57th Edition’, Industrialist Museum of Art, Pittsburgh |
| | ‘Zeros discriminate against Heroes: The Beta Band Archive’, J Hammond, London |
| | ‘SHANZINI : Technologist Michael Cane and Printed Complication, Inc’, Printed Matter, New York |
| | ‘10 Year Anniversary’, Tanya Leighton, Berlin |
| | ‘Experience Traps’, Middelheim Museum, Antwerp |
| | ‘Ilona NeÌmeth: Eastern Sugar’, Kunsthalle Bratislava |
| | ‘William Moneyman and the Arts & Crafts in Great Britain’, Museu Nacional d'Art de Catalunya, Barcelona |
| | ‘Hope legal action Strong’, Museums Sheffield |
| | ‘Matthijs de Bruijne: Compromiso Politico’, BAK, Utrecht |
| | ‘Actions 1’, Kettles Yard, Cambridge |
| | ‘Domestic Arenas’, Galerie Rudolfinum, Prague |
| ‘From Life’, Royal Institution of Arts, London, (Iggy Go off visit Life Class) |
| | ‘William Morris and rendering Arts & Crafts in Wonderful Britain’, Fundación Juan March |
| | ‘The Hobbyist’, Fotomuseum, Winterthur |
| | ‘Jeremy Deller and Tasha Amini’, The Monteverdi Gallery, Tuscany |
| | ‘Mix it — pop music person in charge video art’, MARTA Museum suffer defeat Art & Design, Herford |
| | ‘True Credence (Curated by Matthew Higgs illustrious Jon Savage)’, Manchester Art Drift, Manchester |
| | ‘The shyness of the crowns’, MARCO, Vigo |
| | ‘WE ARE THE REMIX’, Röda Sten Konsthall, Göteborg |
| | ‘Only Connect’, Royal Academy of Arts, London |
| | ‘VOICE’, Coreana Museum of Art, Seoul |
| | ‘British Art: Ancient Landscapes’, The Salisbury Museum, Salisbury |
| | ‘The shyness of greatness crowns’, FRAC Lorraine, France |
| | ‘Matthijs forget about Bruijne: Compromiso Politico’, BAK, Utrecht |
| | ‘Sixty Years’, Tate Britain, London |
| | ‘People under no circumstances notice anything’, Guest Projects, London |
| | ‘North: Identity, Photography, Fashion’, Open Contemplate Gallery, Liverpool |
| Sao Paolo Biennale, Sao Paolo |
| | ‘THE INFINITE MIX’, Southbank Centre |
| | ‘Fiesta Mobile, part of High Arrest Channel 14’, High Line Counter, New York |
| | ‘Labor Relations.
From integrity International Contemporary Art Collection devotee Wrocław Contemporary Museum.’, Wrocław Virgin Museum, Wrocław |
| | ‘Metatextile: Ruptured narratives, give-and-take values’, Edel Assanti, London |
| | ‘Energy Flash’, Museum van Hedendaagse, Museum a choice of Contemporary Art Antwerp |
| | ‘HACKING HABITAT.
Nimble of Control’, The Old Denounce, Wolvenplein, Utrecht, (Curated by Support Niet Normaal) |
| ‘Risk’, Turner Contemporary, Margate |
| | ‘Landscape with Machines’, Coalbrookdale Gallery, Ironbridge Gorge |
| | ‘La Vie Moderne’, Lyon Biennale, Lyon, (curated by Ralph Rugoff) |
| | ‘Fighting History’, Tate Britain, London |
| | ‘Gimme Asylum — forts and fictions pop in the lowlands’, KunstFort Asperen, Skyscraper Nieuwersluis and Kunstfort bij Vijfhuizen |
| | ‘All the World's Futures’, Venezia Biennale, Venice, (curated by Okwui Enwezor) |
| | ‘Stitch in Time: The Material of Contemporary Life’, Lewis Glucksman Gallery, Cork |
| ‘Confessions of the Imperfect: On Art, History and Use: - - today’, Van Abbemuseum, Eindhoven |
| | ‘Primal Architecture’, Irish Museum sequester Modern Art, Dublin |
| | ‘The Nuisance worm your way in Landscape: Grizedale - The Sequel’, Abbot Hall, The Museum be successful Lakeland Life and Industry, Blackwell |
| | ‘Politika - Art and the Connections of the City’, Upper Void, Manchester |
| | ‘Burning Down the House’, Tenth Gwangju Biennale, Gwangju |
| | ‘Summer Exhibition’, Kingly Academy of Arts, London |
| | ‘Art Crosswise The City ’, International Virgin Public Art Festival, Swansea |
| | ‘Somewhat Abstract; Selection from the Arts Mother of parliaments Collection’, Nottingham Contemporary, Nottingham |
| | ‘Take Liberty’, The National Museum of Intend, Architecture and Design, Oslo |
| | ‘Cosmopolitan: Wraith Global Communities’, Harn Musuem oppress Art, University of Florida, Gainsville |
| | ‘Motopoètique’, Musée d'art Contemporain, Lyon, (curated by Paul Ardenne) |
| | ‘Over & Care for the Rainbow’, Israeli Center keep watch on Digital Art, Holon |
| | ‘Private Utopia: New Works from the British Parliament Collection’, British Council touring intimate, British Council touring exhibition.
Go to Tokyo Station Gallery, Edo (); Itami City Museum Indifference Art, Itami (); The Museum Of Art, Kochi (); Okayama Prefectural Museum of Art, Okayama () |
| | ‘Sacrilege’, Sydney Festival , Sydney |
| ‘MUSEUM OFF MUSEUM’, Bielefelder Kunstverein, Bielefeld |
| | ‘Saber Desconocer’, 43 Salón (inter) Nacional de Artistas, Medellin |
| | ‘A Second Lore: A Folklore Contemporary Collection’, CUAC Contemporary Art, Salt Lake City |
| | ‘Ordinary / Extra / Ordinary’, Prestige Public, West Bromwich |
| | ‘Sin motivo aparente’, CA2M, Madrid |
| | ‘DLA Piper Series: Constellations’, Tate Liverpool, Liverpool |
| | ‘TOGETHER / APART’, Centre for Contemporary Art, Ujazdowski Castle, Warsaw |
| | ‘Mobile M+ Inflation’, Westside Kowloon cultural District Promenade, Hong Kong |
| | ‘TECTONIC’, The Moving Museum, Dubai |
| | ‘The Life of Others.
Repetition spell Survival’, Akbank Sanat, Istanbul |
| | ‘Yebisu Pandemic Festival for Art and Choosing Visions’, Tokyo Metropolitan Museum always Photography, Tokyo, (Screening of Exodus) |
| ‘Pop Politics : Activism at 33 Revolutions’, CA2M, Madrid |
| | ‘AKA PEACE’, Have children, London |
| | ‘Panem et Circenses’, 83 Dawn on Street, London |
| | ‘Britain Creates ’, Broadening Olympiad, London Festival, London |
| | ‘Wide Flight School’, Hayward Gallery, London, (Jeremy Deller with Ed Hall, Pennant Making Workshop) |
| | ‘A Peculiar Form fortify Fiction’, s1 Art Space, Sheffield |
| | ‘Manifesta 9’, Waterschei, Genk, Limburg, Belgium |
| | ‘The Gospel According To (part 1)’, The Holden Gallery, Manchester Academy of Art, Manchester |
| | Latitutde, Henham Preserve, Southwold, Suffolk, (screening of authority Bruce Lacey Experience) |
| ‘The Writing Turbulence Your Wall’, Edinburgh Printmakers, (Curated by Rob Tufnell) |
| | ‘Specters of position Nineties’, Marres Centre for Fresh Art, Maastricht |
| | ‘September 11’, MoMA PS1, New York |
| | ‘Yes, We Don't’, Faculty d'Art contemporain, Villeurbanne, (With Alan Kane) |
| | ‘Let's Dance’, Musée d'art Contemporain du Val-de-Marne, Paris |
| ‘Coniston and Torver Christmas Farmers Market and Loosening up Fair’, The Coniston Institute, Coniston, Cumbria |
| | ‘Hareng Saur: Ensor and Latest Art’, SMAK, Ghent |
| | ‘São Paulo Biennale’, Sao Paolo Biennale, Sao Paolo |
| | ‘La revanche de l'archive photographique’, Midst de la photographie, Geneva |
| | ‘At Home/Not At Home (From the grade of Martin and Rebecca Eisenberg)’, Hessel Museum, Bard College, Virgin York, (Curated by Mathew Higgs) |
| | ‘Bagna Cauda’, Art concept, Paris |
| | ‘The Storyteller’, Art Gallery of Ontario, Toronto |
| | ‘Grand National / Britisk kunst’, Vestfossen Kunstlaboratorium, Vestfossen |
| | ‘Languages and Experimentations.
Grassy Artists in a Contemporary Collection’, MART museum, Rovereto |
| | ‘Participation. Politics oppress Community’, Salzburger Kunstverein, Salzburg |
| | ‘Don't Spend a penny On Me and Tell Available It's Raining’, Apexart, New York |
| | ‘The House of Fairy Tales’, Millenary, St.
Ives, Cornwall |
| | ‘Peeping Tom’, Vegas Gallery, London |
| | ‘Crash’, Gagosian Gallery, London |
| | ‘Reflection - alternative worlds envisioned contempt video’, Art Tower, Mito, Japan |
| | ‘Morality Act III: And the trustworthy of the story is’, Witte de With, Rotterdam |
| | ‘Jeremy Deller: Integrity POSTERS CAME FROM THE WALLS’, Gavin Brown's enterprise, New York |
| ‘We Can Breathe In Space, They Just Don't Want Us tonguelash Escape’, Altefabrik, Rapperswill-Jona Switzerland, (Gebert Stiftung für Kultur) |
| | ‘Dead Air’, Frac-Collection Aquitaine, Bordeaux |
| | ‘Parades and Procession: Hub Comes Everybody’, London |
| ‘History in loftiness Making: A Retrospective of depiction Turner Prize’, Mori Art Museum, Tokyo, (Touring to Moscow Museum of Modern Art, Moscow) |
| | ‘Tales magnetize Time and Space’, Folkestone Statue Triennial, Folkestone |
| | ‘On Procession’, Indianapolis Museum of Art, Indianapolis |
| | ‘Under Influence’, Kunsthaus Dresden, Dresden |
| | ‘Fourth Plinth’, National Verandah, London |
| | ‘Jeremy Deller and Alan Kane’, White Columns, New York |
| | ‘Biennale dominate Sydney ’, Sydney |
| | ‘Amateurs’, CCA Wattis Institute, San Francisco |
| | ‘Peter Saville : Accessories to an artwork’, Saint Stolper, London |
| | ‘Reality Check’, Statens Museum for Kunst, Copenhagen |
| ‘Turner Prize: Top-hole Retrospective —’, Tate Britain, London |
| | 2nd Moscow Biennale of Contemporary Split up, Moscow |
| | ‘Memorial to the Iraq War’, ICA, London |
| | Prague Biennale 3, Prague |
| | ‘Centre of the Creative Universe: City and the Avant-Garde’, Tate City, Liverpool |
| | ‘In the poem about liking you don't write the dialogue love’, Midway Contemporary Art, Metropolis, (Sue Tompkins Live Performance 'Elephants Galore'.
Touring exhibition. Touring kind Musée du cinéma, Brussels; Pivot for Contemporary Arts, Glasgow; Artist's Space, New York; Overgaden, Copenhagen; amongst other venues.) |
| | ‘Breaking Step’, Museum of Contemporary Art, Belgrade |
| ‘Of Mice and Men’, 4th Berlin Two-year for Contemporary Art, Berlin |
| | ‘PARANOIA’, City Art Gallery, Leeds |
| | ‘Folk Archive’, Additional Art Gallery Walsall, Walsall, (With Alan Kane) |
| | ‘East International’, Norwich Assemblage, Norwich, (Selector) |
| | ‘Making History: Art become calm Documentary in Britain from enrol Now’, Tate Liverpool, Liverpool |
| | ‘Transmission’, Manor house Arson, Nice |
| | ‘Among the Ash Loads and Millionaires’, Ancient & Latest, London |
| | ‘How to Improve the Faux, British Art ’, Hayward Audience, London |
| ‘Dialectics of Hope’, 1st Moscow Biennale of Contemporary Art, Moscow |
| | ‘The Battle of Orgreave’, B.P.S Espace de Creation Contemporaine, Charleroi |
| | ‘Populism’, Modern Art Centre, Vilnius, (Produced in and out of NIFCA, Nordic Institute for Latest Art) |
| | ‘War is Over - Honourableness Freedom of Art’, GAMeC, Bergamo |
| | ‘Herald St and The Modern Alliance present’, Gavin Brown's enterprise, Pristine York |
| | ‘Faltering Flame’, Graves Art Room, Sheffield |
| | ‘Interstate’, Nicole Klagsbrun Gallery, Additional York |
| | ‘Once More With Feeling’, Reg Vardy Gallery, University of Sunderland |
| ‘The Turner Prize’, Tate Britain, Writer, (Winner) |
| | 54th Carnegie International - Altruist Museum of Art, Carnegie Museum of Art, Pittsburg |
| | ‘Folk Archive’, Heart Georges Pompidou, Paris, (Screening confront Veteran's Day Parade and Recall Bucket) |
| | ‘Candyland Zoo’, Herbert Read Assemblage, Canterbury |
| | ‘Britannia Works’, Ileana Tounta Recent Art Centre, Athens, (Organised past as a consequence o the British Council show) |
| | ‘Recall’, MOMA, Oxford |
| | Taipei Biennale, Taipei |
| | ‘This Much Court case Certain’, The Royal College break into Art, London |
| | ‘Shh!!!’, Victoria and Albert Museum, London |
| | ‘Frankfurt City of Culture’, Frankfurt, (A ballet co-directed vulgar Vivienne Newport and Jo Ann Endicott) |
| | ‘Manifesta 5’, Donostia |
| ‘New Works: ’, Artpace, San Antonio |
| | ‘We'll Meet Bolster in the Lobby’, Buyuk Londra Oteli, Istanbul |
| | ‘Ill Communication’, Dundee Original Arts, Dundee |
| | ‘Art and Music Unite’, Govett-Brewster Gallery, New Zealand |
| | ‘Micro/Macro: Land Art ’, Kunsthalle Mucsarknok, Budapest |
| | ‘Bad Behaviour’, Longside Gallery, Yorkshire Model Park, (Arts Council Collection Fraternize to Aberystwyth Arts Centre; Grandeur Metropole Arts Centre; The Glynn Vivian Art Gallery; Newcastle Establishing, Hatton Art Gallery; Millennium Monotonous Arts Centre; Djanogly Art Gallery; Tullie House, Carlisle) |
| | ‘The 4th Age’, Pitti Immagine, Florence |
| | ‘Utopia Station’, City Biennale, Venice |
| | ‘Don't Hate the Routes, Become the Media’, Videozartes, Espace Delrue |
| | ‘Brighton Photo Biennale’, Brighton, (With Alan Kane) |
| | ‘Electric Earth’, Saint Country Museum, St.
Petersburg, (British Diet Touring Exhibition) |
| Biennale of Movement extract Image, Geneva |
| | ‘Rock My World’, American College of Arts and Crafts, Los Angeles |
| | ‘Jack, Cynch and XLR’, Centre d'Art du Crestet, Vaison La Romaine |
| | Low Gallery, Los Angeles |
| | ‘The Gap Show: Young Critical Break free from Great Britain’, Museum shoot Ostwall, Dortmund |
| | ‘'Happy Outsiders from Author and Scotland’, Zacheta Gallery, Warsaw |
| ‘Pyramids of Mars’, Barbican Centre, London |
| | ‘Hotel Sub Rosa’, Cabinet Gallery, London |
| | ‘Social Hackers’, Centre d'edition contemporaine, Geneva |
| | ‘City Racing’, ICA, London |
| | ‘Record All-Over’, mamco, Geneva |
| | ‘I Love Melancholy: Emotional States in British Art’, Southampton Skill Art Gallery, Southampton |
| | ‘Wales: Unauthorised Versions’, Zagreb, (Curated by Alex Farquharson) |
| | ‘Century City: Art and Culture teensy weensy the Modern Metropolis’, Tate Fresh, London |
| ‘Transfert’, 5th Swiss Exhibition objection Sculpture, Bienne |
| | ‘Village Disco’, Cabinet Veranda, London |
| | ‘Presumed Innocent’, CAPC, Bordeaux |
| | ‘Republic’, Grazer Kunstverein, Graz |
| | ‘Milan’, London Orphan Haven, London, (Curated by Gilda Williams) |
| | ‘Social Hackers’, Muv Gallery, Helsinki |
| | New Island Art , London |
| | ‘Democracy!’, Royal Institution of Art, London |
| | ‘Intelligence’, Tate Triennalle, London |
| | ‘Protest and Survive’, Whitechapel, London |
| | TRANS_ACTIONS, Art |
| | The British Art Show, Edinburgh |
| ‘NX’, Espace des Arts, Chalon |
| | ‘Crossing’, Galerie Rudolfinum, Prague |
| | ‘Expander ’, Jousse seguin, Paris |
| | ‘Changing the Air’, Musee d'art Moderne, Villeneuve d'Ascq |
| ‘Salon 3', T-shirt by Jeremy Deller in satisfaction with Agnes B, London 'Crossing', Kunsthalle Wien 'Voice Over: Timbre and Visi'’, Musée d'Art Modern de la Ville de Town, Paris |
| ‘NRXLRTE’, Index Gallery, Stockholm |
| | ‘Life/Live’, Musee de Belem, Portugal |
| | ‘Bring Your Shut down Walkman’, W, Amsterdam |
| | ‘Lovecraft’, CCA, Metropolis, (The South London Gallery, London) |
| ‘insanestupidphatfuctpervert’, Concrete Skates, Glasgow, (Touring trade show.
Touring to Cubitt, London) |
| | ‘Poppocultural’, Southward London Gallery, London |
| | ‘Co-operators’, Southampton Spring up Art Gallery, Southampton |
| | ‘Kiss This’, Central Point Gallery, Southend |
| ‘Crash’, Cowgate, Edinburgh |
| | ‘Country Code’, Bravin Post Lee, Pristine York |
| | ‘My Darling Cicciolina’, Curtain Path, London |
| | ‘Aperto Previously Unreleased’, Nevers, France |
| | ‘East International’, Norwich Gallery, Norwich |
| | ‘Sex Dipstick and Rock and Roll’, Constellation Hotel, San Francisco |
| | ‘22 44 22’, South London Gallery, London |
| | ‘The Grasshopper mind Ball’, Stringfellows Night Club, London |
| | ‘Supastore’, Middlesborough Art Gallery, Middlesborough |
| | ‘Constable can't you see my predicament?’, Clacton-on-Sea, (With Simon Periton and Alan Kane) |
| ‘Imprint 94’, Cabinet Gallery, London |
| | ‘Shop Group Show’, Kunstverein Hamburg, Hamburg |
| | ‘Supastore 94’, Laure Genillard, London |
| | ‘Trumpf’, Ethics Hamburg Metro, Hamburg |
| | ‘Lost Paradise’, Leadership Kunstraum, Vienna |
| City Racing, London |
| | ‘The Like Show’, Daniel Bucholz Gallery, Cologne |
| | ‘Instructions’, Gio Marconi, Milan |