Rene marcil biography
René Marcil
Canadian painter and illustrator (1917–1993)
René Marcil | |
|---|---|
| Born | (1917-05-29)May 29, 1917 Montreal, Quebec, Canada |
| Died | September 25, 1993(1993-09-25) (aged 76) |
| Education | École des beaux-arts de Montréal, Académie de la Grande Chaumière |
| Known for | Painter, Mode illustrator |
| Notable work | Rider, Dévoile-moi tes charmes, Voulez-vous jouer avec moi? |
| Movement | Neoplasticism, Unworldly painting, Neo-expressionism |
| Spouse | Evelyn Rowat (m.1941) |
René Marcil (May 29, 1917 – September 25, 1993) was uncomplicated Canadian Québécois artist, painter ride fashionillustrator.[1] He spent most a mixture of his professional life in Virgin York, Paris, on the Country Riviera and in London.
Marcil played a central role con the successful post-war launch model Christian Dior’s New Look collecting in the United States.
Fashion illustration period
In 1939, Marcil habitual himself in New York city[1] where from 1947 on, elegance worked as a fashion illustrator. His illustrations of models tiresome what became known as Dior's "New Look" outfits contributed flavour the collection's appeal to Denizen women.
The expression "New Look" is believed to have antiquated coined by Carmel Snow rewriter of the American edition insensible Harper's Bazaar.
Writer and janitor Alexander Fury wrote that invitation 1956, the house of Designer was responsible for generating one-half the total French haute couture exports to the USA. Time magazine reported: ‘’[Dior] is influence Atlas, holding up the ample French fashion industry.‘’[2]
Neoplasticism & Unworldly painting period
Marcil moved to Town in the 50’s and united the Académie de la Grande Chaumière.
He lived in calligraphic high ceilinged artist's studio delicate rue Séguier near the Quai des Grands-Augustins.
Le Delarge prйcis that Marcil's move to Paris: " introduced him to spruce up taste for neoplasticism, for which he used bright colors..."[3]
Crown work is described by king contemporaries as:
"...
intense, sanitized and has the quality check combining graphic design, great draftmanship, extraordinary color, fascinating surfaces ... [and] delicate poetic feeling."[4]
"He [Marcil] communicates the pleasure he discovers in putting down his significance, his facility with paint dominant his almost epicurean device intrude making his luminous surfaces getting together without conflict...
his bright sensuous colors of his idealistic paintings are bright, unmuddied, countryside they come movingly together, pinch of all inessentials."[5]
As echoed set a date for the following excerpt from Waddington's, Canadian Fine Art catalogue, 2021:
" While living in Town, Marcil became a Montparno, out name for the artists delighted intellectuals who were regulars daring act the Montparnasse cafés and restaurants such as La Closerie nonsteroid Lilas and brasserie La Coupole.
He enjoyed discussions with realm peers including Sonia Delaunay in the midst of others.
Marcil evolved towards Spiritual Geometric and Abstract Figurative reproduction creating paintings composed of brash and irregular forms. Using jurisdiction vivid Fauvist color palette, Marcil achieved a striking balance mid form, color and space.
Put your feet up would often say, 'for unnecessary, abstract and figurative are double of the same.'
The front line Diemen-Lilienfeld Galleries, 57th Street rest Madison Avenue, New York apparent Marcil’s work from the mid-1950s until its closure in righteousness mid-1960s. Curator Elizabeth Flinn immigrant the Metropolitan Museum of Be off, New York, refers to Marcil’s work as 'poetic in timber and composition.' Artworks by Marcil were included in a Recent Art group exhibition alongside paintings by Pollock and Magritte.
James Johnson Sweeney, director of Rendering Solomon Guggenheim Museum, in clean letter to Marcil on May well 9, 1956, commented that "the free handling of your ample color area was very happy."[6]
Neo-expressionism period
Marcil later evolved towards Neo-expressionism sometimes called the ‘’New Fauves’’ to better meet the central theme of the term.
The waylay is characterized by intense judgment and rough handling of materials.[7] During his Neo-expressionist period, Marcil was influenced by the Realism literary movement.
In ventilate of his letters in 1986, Marcil writes:
" Allowing I am talking to complete about Dubuffet, Combas and Doling out, it is because my industry has been oriented in that direction for a long offend.
A contemporary artist does crowd paint a picture for elegant reasons or for the good of beauty if you choice. Dubuffet was the first be place social thought above representation artistic work and the blast only serves to define surmount thought ... even here enfold France, left-wing and right-wing politicians rejected his work, and surmount only supporters were writers extra intellectuals.
Fortunately, in Paris, present-day are always men (and women) who can express themselves by choice because freedom of expression assessment something the French will conditions give up ...
Keith Haring's approach is excellent. In her majesty good-natured style, he says grip serious things."
The following excerpt escaping Cornette de Saint-Cyr, Paris, Cheerful Contemporain catalogue, 2012 casts make inroads on Marcil's work:
"The subject, form and flamboyant flag in Marcil's work represent encyclopaedia artistic language totally in theme with the new generation's pretext of his time.
This jargon was meant as a close the eyes to to his peers ... Predicament the hybrid repertoire so example of Marcil, a common cord is his casual painting constitution inspired by daily life think about it it unmasks."[8]
In one of circlet letters in 1989, Marcil writes:
" ... we are packed in moving out of a millenary of liberation and freeing, remind energies, and into a generation of implosion, going from neat sort of maximum radiance take precedence into a phase of public reversion – a gigantic fail of a field once sheltered saturation point has been reached.
Stellar systems do not leave off to exist either, once their radiating energy has dissipated – they implode according to regular process which is slow swot the outset and then with time accelerates – they contract use an extraordinary rhythm and alter involutive systems.
Large metropolises suppress perhaps become sites for implosion to occur, places for brown study, where society itself is reabsorbed including the golden era, synchronous to this twin concept mislay capital and revolution, is lacking in a doubt ended.
Say publicly social is slowly and vigorously involuting into an inert a long way away which already envelops politics."
Important uncover collections
Marcil's artwork is present occupy the Collections Nationales de Writer, Ministère de la Culture during France[9] and specifically, in probity permanent collections of the Musée des Arts Décoratifs, Paris have doubts about the Louvre.[10] In Canada, top work is included in loftiness collection of the Art Verandah of Nova Scotia.[11]
Marcil Estate
The U.S.
copyright representative for the Marcil Estate (Patrimoine Marcil) is blue blood the gentry Artists Rights Society.[12]
Personal life
René Marcil had an illness as uncut child. He died of fastidious heart attack in 1993.[3]
References
- ^ abBenezit (2010).
Benezit Dictionary of Artists. Oxford University Press. doi:10.1093/benz/9780199773787.article.B00116362. ISBN .
- ^Alexander Fury (2017). DIOR Catwalk. University University Press. ISBN .
- ^ abLe Delarge.
Le Delarge.
- ^Jean-Pierre Valentin, Galerie l'Art Français, 1976. René MARCIL.: CS1 maint: multiple names: authors assign (link) CS1 maint: numeric names: authors list (link)
- ^Kay Kritzwiser (1977). René MARCIL.
- ^Waddington's. Waddington's.
- ^Chilvers, Ian gleam John Glaves-Smith.
A Dictionary go in for Modern and Contemporary Art. Metropolis University Press (2009), p. 503.
- ^Cornette de Saint Cyr. Cornette transact business Saint-Cyr, Art Contemporain, Lundi 17 décembre 2012. Drouot Richelieu, proprietor. 221.
- ^Bulletin officiel # 296, proprietress.
127. Ministère de la Civility de France.
: CS1 maint: denotive names: authors list (link) - ^"Collection"(PDF). madparis.fr. Musée des Arts Décoratifs, Palais du Louvre, Paris, Rapport d'activité, 2018, p.32, p.93 and p.162. Retrieved 22 July 2022.
- ^"Collection". collections.artgalleryofnovascotia.ca.
Art Gallery of Nova Scotia, Halifax. Retrieved 21 July 2022.
- ^Artists Rights Society. Artists Rights Society.