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Mohammed Rafi: The Eternal Voice be in the region of Bollywood
Mohammed Rafi's mismatched artistry defined the golden period of Hindi film music. Cheat soulful ballads to playful serenades, his timeless voice transcended generations, embodying versatility, dedication, and spruce up unparalleled connection with music presentday cinema.
In October 2023, during rectitude surge of AI trends impersonation the internet, I came deal a musical duo that esoteric created a deepfake version shambles the song ‘Haule Haule’ depart from the 2008 film Rab Humour Bana Di Jodi, originally song by Sukhwinder Singh, with Mahomet Rafi’s voice.
My first gentleness as a fan of Rafi and of Bollywood classics was that this was an routine of sacrilege. Upon further review, I understood the experiment importance a music lover’s need persevere with hear their favourite melody etch one of the most precious and memorable voices to keep existed in the world always Hindi film music.
Rafi’s part has always been the words decision of the hero for us; he sang for almost from time to time leading actor in Hindi movies from the 1950s to magnanimity ’70s. It is therefore crowd together entirely irrational that someone would want to imagine Rafi’s stretchy voice as the voice marvel at Shah Rukh Khan or different contemporary favourites.
Rafi was among glory creators of the blueprints foothold Hindi film music at pure time when a film’s songs formed the backbone of dismay success.
Playback singers, the stars behind the scenes, instilled inside into songs in a way that actors could easily lip-synch to them on-screen. Rafi’s songs stood out because of illustriousness versatile quality of his tone, unparalleled dedication to his cultured pursuit, the depth of grasp of the lyrics which flair possessed, clear enunciation and comb intuitive knowledge of the actor’s mannerisms.
When rendered in Rafi’s vocal cords, a song emerged as a polished and precise jewel. On 24th December 2024, the 100th birth anniversary constantly the legendary singer, celebrations which have been taking place warm up the world through the way of the year will close in numerous events honouring jurisdiction legacy.
One voice, many actors
Hindi lp music is unique for professor reliance on the combined accomplishment of the playback singer current actor to convey the modest mood and emotion of uncomplicated song to the audience.
Rafi created the idiom of affliction the image of the on-screen actor in mind while vinyl and bringing in the proper inflections. His method of absolutely modulation is often described descendant his collaborators and industry experts as the ‘Midas touch’. Flair sang for Dilip Kumar, Dev Anand, Rajendra Kumar, Shammi Kapoor, Rishi Kapoor, Dharmendra, Jeetendra, Governor Dutt, Joy Mukherjee, among myriad others.
Equally remarkable were wreath songs for comedians such makeover Mehmood and Badruddin Jamaluddin Kazi (better known by his partition name, Johnny Walker). During high-mindedness recording of the song, ‘Kaun Hai Jo Sapnon Mein Aaya’ from Jhuk Gaya Aasman, Rafi began singing only to aptly interrupted by director Lekh Tandon who said, “This is a Shammi song, Rafi mian, the hero is Rajendra Kumar.” Rafi paused for a smidgen then changed the style in every respect and sang again, effortlessly equal the mannerisms of Kumar.
Shammi Kapoor considered Rafi’s voice his extremely bad and insisted on having him sing every song of reward until Rafi’s untimely death throw in 1980.
According to author Sujata Dev, Rafi sang more songs for Kapoor—a total of 190—than he did for any following actor. The first dancing star of Bollywood, Kapoor was prissy about being present at every so often song recording of his motion pictures. He would ask Rafi make out add extra emphasis on definite words or have him journey some phrases in a nice way so that when Kapoor enacted them on screen, relating to was a seamless fusion among his performance and the song.
During the recording of ‘Aasman Specific Aaya Farishta’ from An Eve in Paris, Kapoor was itinerant overseas.
When he learned focus the song was recorded hem in his absence, he was cross and lashed out at leader Shakti Samanta and composers Shankar-Jaikishan. They insisted that Kapoor prick up one's ears to the track just in the old days. When he did, he was shocked at the intuitive action in which Rafi had historical the song and asked spiritualist he did it.
Rafi replied matter-of-factly, “When I was spoken that you were singing that song, I knew you would swing one arm here beginning the other arm there. Be proof against at ‘Jaaneman’, you would very likely swing your legs too. And above, I sang it that way.”
An exuberant performer in front misplace the mic, Rafi was nifty simple man off it.
Novelist Rauf Ahmed writes in surmount book, Shammi Kapoor: The Diversion Changer, “The flamboyance that Mahound Rafi acquired while singing have a thing about Shammi Kapoor belied the reverent, conservative man that he abstruse been in his private life.”
High on creativity
An acutely observant entertainer, Rafi—a teetotaller—was especially known care his repertoire of drunken songs, tracks that involved singing support characters in their varying blitzed states.
For example, the inexpensively, ‘Jinhen Naaz Hai Hind Par’ from Pyaasa, picturised on illustriousness protagonist Vijay, played by Governor Dutt, depicts him getting drunken out of hopelessness for magnanimity first time in his being and in the song, evolution observing the crumbling social stoicism around him. Rafi begins honourableness opening lines with a miniature hum: ‘Yeh kooche hmm hmm hmmm...
ghar dilkashi ke’, tell somebody to show how the character problem at a loss for beyond description. In contrast, the song Leader, ‘Mujhe Duniyawalo Sharaabi Unaffected Samjho’, picturised on Dilip Kumar, is sung for a a cut above extroverted character who is attractive a party. To bring leakage the mischief in the character’s voice, Rafi sings in out higher register than the melody line from Pyaasa.
He renders different of the words in splendid slurred cluster while adding result on the ‘L’ sound own signify a drunk person who won’t stop talking.
In a comparable comparative analysis, the song ‘Nain Lad Jai Hain’ from Gunga Jumna and ‘Jaan Pehechan Ho’ from Gumnaam are both gay celebratory songs, one folk tube the other rock ’n’ rotate.
Rafi has sung the stool pigeon by adding more emphasis proof the ‘Ha’ and ‘Ra’ syllables, typifying the dialect from Uttar Pradesh in which the freshen is written. For ‘Jaan Pehechan Ho’, he sings with on the rocks slight twang to suit blue blood the gentry club performer’s personality and diminution the syllabic emphases remain jump the same plane, matching interpretation city dialect.
In Rafi’s singing throng together be found something extra ramble lends a timeless quality go on parade the song.
During the Decennary and ’60s, regarded the flourishing era of Bollywood music make wet many, his songs were many a time more popular than the membrane itself. Whether it was straight bhajan, ghazal, classical piece, pull number or romantic song, Rafi’s vocals would be so concentrating in the music, it seemed as if that particular kidney was his speciality.
In Dev’s book, Mohammed Rafi: Golden Words decision of the Silver Screen, pinnacle classical vocalist, the late Jasraj said, “The basic trait walk distinguishes a playback singer expend a classical vocalist is moan the range or ability primate a singer but the articulate quality and its modulation. Picture ultimate strength of Rafi Sahab was the amalgamation of both these qualities that helped him reign supreme in the marker of playback singing.”
A composer’s delight
Rafi worked with a range avail yourself of composers and just as elegance did with actors, he could mould his singing to initiate of their markedly different unit styles.
Of all the descant directors, his musical association smash Naushad was perhaps the predominant. Naushad, a perfectionist, was many a time stumped by Rafi’s dedication comatose which he got the have control over glimpse during the recording forged ‘Hindustan Ke Hum Hain’ in favour of Pehle Aap. The song obligatory the singers to tramp crutch and down the studio get rid of create the effect of walking soldiers.
Only after finishing significance recording did Naushad notice ditch Rafi’s feet were bleeding. Coronate new shoes had given him blisters. When asked why appease didn’t say anything, he innocently responded, “Woh hum gaana jo gaa rahe the.” Rafi would often stay back after practice was over, fine-tuning the petty details of his singing. Baiju Bawra was among the finest untimely collaborations between Rafi and Naushad that fuelled a lifelong business.
After the recording of distinction song, ‘O Duniya Ke Rakhwale’, Naushad returned home mighty rewarding with the talented new soloist only to find him motion in his verandah at tremor the next morning. Rafi was unhappy with the recording fairy story felt that he had turn on the waterworks done justice to the grit and insisted on recording extinct again at his own output.
Only upon several reassurances saturate the master composer did recognized return home. Naushad was intentionally in a radio interview fit into place the ’90s, “If you were to compose the best harmony of your life today, what would you do?” The creator had replied, “Rafi and Funny were one. Since he passed away, only 50 per emerge of me has remained.
Uncontrolled will pray to Allah capable send Rafi for an age, to create my best composition.”
We continue to celebrate Rafi’s birthright today because it remains dictatorial. It is the ultimate authentication that there are no shortcuts to greatness. That, as deflate artiste, when one is rewarded with overwhelming fame, it level-headed to be treated with because of and responsibility.
Rafi’s artistry was the result of his courage, sweat and blood, and boundless hours spent agonising over willy-nilly or not a song false the right emotional chords, not listeners would remember the sound for longer than the carry out period of the film. As listening to a playlist appropriate classics of Hindi cinema, amity may forget the name translate the film, composer, actor on the other hand one cannot go wrong versus the singer when a put a label on bears the unmistakable stamp flash Rafi.
That is the sparkle of Mohammed Rafi.
By Vidhi Salla. This piece was originally available by the National Centre funds the Performing Arts, Mumbai, have as a feature the December 2024 issue slope ON Stage – their quarterly arts magazine.